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Below are a series of links. They are in a grid of 3 buttons wide by 2 buttons deep. The first row is as follows: CV, Clips & Images, and Reviews. The second row is About Erin, Instagram, and Ko-fi. Please contact us on [email protected] if you have any problems in accessing these links and we will be happy to assist you.
email: [email protected]
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Recent Press - an interview with Erin and Disability Arts Online, talking about community-driven practice and their residency at the Brighton Dome, can be found here.Erin's work - a folder of video clips and a PDF of corresponding clip descriptions, can be found at this link. You can also find static images complete with image descriptions further down this webpage.More clips - 'The Welsh Lxdies', a script-in-hand sharing of the play by Grace O'Brien, can be found here. Skip to 9 minutes 10 seconds or 17 minutes for clips where Erin features.'The Welsh Lxdies' Clip Descriptions: From 9 minutes 10 seconds, Erin is sitting on the floor reading from a script wearing a Welsh lady's outfit. From 17 minutes, Erin is on stage with two other performers in dim lighting. Erin is the performer on the left.
on stage at the Bosco Spiegeltent with 'Southern Fail'. Erin is singing on stage with two other performers to a full audience.
Erin on stage at the Camden Comedy Club looking up at the neon sign above their head.
Erin on stage with an improv ensemble at The Waterside, Aylesbury. They are pulling a funny face and impersonating Donald Trump
Erin sitting on the lap of a wheelchair-using colleague pretending to smoke a cigarette as part of an improv performance at The Waterside.
Erin in their self-written play Sh!t Scripts: Bad Manors. They are wearing a nun's habit and their colleague, who is shirtless, has their hand over their mouth to stop Erin from talking.
Erin lacing up a pair of glittery knee-high boots ready for a performance in Saucy Jack and the Space Vixens. They are wearing silver clothes, makeup, and are wearing a radio mic.
Erin performing in Saucy Jack and the Space Vixens. They are singing out to the audience and the ensemble's hands are reached out towards Erin.
Erin on stage at Edinburgh Fringe. They are looking disgruntled at their colleague who has long brown hair and is in a red satin dress.
Erin on stage wearing a furry grey onesie. They are holding a microphone and smiling in front of two silhouetted audience members.
Erin in their genderbent welsh lady costume. They are wearing light drag king makeup and are looking up the camera fiercely. They are wearing a hat with daffodils on, a red tartan shawl, a chain necklace, a black bra and a white shirt.
Reviews“Performance wise, [Erin…] steals the show. Not only [do they] match the vocal prowess of [their] cast members, [they go] the extra mile by expertly working the room and [their] audience, and butting in with sharp ad-libs in any scene [they’re] in".
Grumpy Gay Critic ★★★★
Praise for 'Warrior' at The Brighton Fringe
The image shows Erin smiling on stage using a microphone. Their brown hair is tied up in a bun. The text reads "Very funny and enlightening, interesting and useful. The work you're doing is incredible. The next reads "All I can say is WOW! Honest, educational, emotional, spoken from the heart. Well done on a FANTASTIC show!". The next reads "Brilliantly funny, touching and truthful. Still thikning about how powerful the show was".
Praise for ‘Shit Scripts: Bad Manors’ (Brighton Fringe)“Totally loved this show. It's an unpredictable farce which keeps the audience laughing pretty much non-stop”"This just made me cackle constantly for an hour! Get your butts to this show! Seriously sht (intentionally) & seriously funny! 10/10 would recommend. 🙌👏”*“Comedy gold - an absolute must-see!”“They work MAGIC with a truly dreadful script…and it’s hilarious!”“MY CHEEKS ARE HURTING FROM LAUGHING”__Praise for Bite-Size Breakfast 2015-2016 (Edinburgh Fringe)**__“There has to be something special about a Fringe show that can fill a theatre with 150 people at 10am. It’s down to the sharp writing and the quality of the actors”.
Sunday Mail ★★★★★“Eccentric, funny and outrageous”.
Broadway Baby ★★★★“Punchy, well-acted comedy”.
UK Theatre Web
© ErinEnfys | all rights reserved
Artist BioErin Enfys (they/them/nhw) is a disabled, neurodivergent, queer and genderfluid performer, writer and theatremaker.They are currently the In-House Artist for Brighton Dome 2023/2024.Erin is passionate about community-centric practice in musical theatre. They are committed to creating vital safe spaces designed to increase disabled and neurodivergent representation on stage.Erin has had a career in theatre, film & musicals, including two self-written shows (Sh!t Scripts: Bad Manors & Earwig), Hip Crip Hooray Cabaret (Brighton Spiegeltent), Galatea (Brighton Festival/Marlborough Productions/Wildworks), Stellar Firma (Rusty Quill Productions) Saucy Jack and the Space Vixens dir. Tia Kofi (Drag Race UK Season 2), Sweeney Todd (Borough Theatre) dir. Ken Caswell, Cinderella (Walt Disney) dir. Kenneth Branagh and What Remains (BBC) dir. Coky Giedroyc.Erin trained in Musical Theatre at the London College of Music.
© ErinEnfys | all rights reserved
Erin's General CVErin's Performance CVErin's Access RiderIf you require any of these documents in any other format, please do not hesitate to reach out at [email protected].
© ErinEnfys | all rights reserved