erin enfys - queer non-binary, disabled and neurodivergent performer and theatre maker - pronouns they/them/nhw. in house artist for brighton dome 23/24. a selection of four promotional pictures of erin in various poses.

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Below are a series of links. They are in a grid of 3 buttons wide by 2 buttons deep. The first row is as follows: CV, Clips & Images, and Reviews. The second row is About Erin, Instagram, and Ko-fi. Please contact us on [email protected] if you have any problems in accessing these links and we will be happy to assist you.



email: [email protected]


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Instagram - a good selection of Erin's work can be found on their Instagram page, which you can find here.Erin's work - a folder of video clips and a PDF of corresponding clip descriptions, can be found at this link. You can also find static images complete with image descriptions further down this webpage.Recent Press - an interview with Erin and Disability Arts Online, talking about community-driven practice and their residency at the Brighton Dome, can be found here.





'Disabled + Disobedient July 2024'"hot and heavy content with heart"
Disability Arts Online - click here for full review
'Saucy Jack and the Space Vixens'“Performance wise, [Erin…] steals the show. Not only [do they] match the vocal prowess of [their] cast members, [they go] the extra mile by expertly working the room and [their] audience, and butting in with sharp ad-libs in any scene [they’re] in".
Grumpy Gay Critic ★★★★

'Warrior' at The Brighton Fringe

please see below for an image description.

The image shows Erin smiling on stage using a microphone. Their brown hair is tied up in a bun. The text reads "Very funny and enlightening, interesting and useful. The work you're doing is incredible. The next reads "All I can say is WOW! Honest, educational, emotional, spoken from the heart. Well done on a FANTASTIC show!". The next reads "Brilliantly funny, touching and truthful. Still thikning about how powerful the show was".

‘Shit Scripts: Bad Manors’ (Brighton Fringe)“Totally loved this show. It's an unpredictable farce which keeps the audience laughing pretty much non-stop”"This just made me cackle constantly for an hour! Get your butts to this show! Seriously sh*t (intentionally) & seriously funny! 10/10 would recommend. 🙌👏”“Comedy gold - an absolute must-see!”“They work MAGIC with a truly dreadful script…and it’s hilarious!”“MY CHEEKS ARE HURTING FROM LAUGHING”Bite-Size Breakfast 2015-2016 (Edinburgh Fringe)“There has to be something special about a Fringe show that can fill a theatre with 150 people at 10am. It’s down to the sharp writing and the quality of the actors”.
Sunday Mail ★★★★★
“Eccentric, funny and outrageous”.
Broadway Baby ★★★★
“Punchy, well-acted comedy”.
UK Theatre Web



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Artist BioErin Enfys (they/them/nhw) is a disabled, neurodivergent, queer and genderfluid performer, writer and theatremaker.They are currently the In-House Artist for Brighton Dome 2023/2024.Erin is passionate about community-centric practice in musical theatre. They are committed to creating vital safe spaces designed to increase disabled and neurodivergent representation on stage.Erin has had a career in theatre, film & musicals, including three self-written shows (Sh!t Scripts: Bad Manors, Warrior, & Earwig), Hip Crip Hooray Cabaret (Brighton Spiegeltent), Galatea (Brighton Festival/Marlborough Productions/Wildworks), Stellar Firma (Rusty Quill Productions) Saucy Jack and the Space Vixens dir. Tia Kofi (RuPaul's Drag Race: UK vs the World), Sweeney Todd (Borough Theatre) dir. Ken Caswell, Cinderella (Walt Disney) dir. Kenneth Branagh and What Remains (BBC) dir. Coky Giedroyc.Erin trained in Musical Theatre at the London College of Music.



© ErinEnfys | all rights reserved



Erin's General CVErin's Performance CVErin's Access RiderIf you require any of these documents in any other format, please do not hesitate to reach out at [email protected].



© ErinEnfys | all rights reserved